MOST IDENTIFIABLE AND POPULAR RECORDING STEEL GUITARIST OF THE ’40s AND ’50s. RECORDING ARTIST, COMPOSER, ROAD MUSICIAN AND PIONEER WHO REVOLUTIONIZED THE SOUND OF THE STEEL GUITAR BY HIS INTRODUCTION OF THE PEDAL-GLISS., THEREAFTER ESTABLISHING THE “MOVING TONE” AS THE DOMINANT STEEL EXPRESSION IN COUNTRY MUSIC. A “DRIFTING COWBOYS” ROAD MUSICIAN AND STEEL PIONEER FOR FOUR DECADES. INDELIBLE STYLIST AND RECORDING ARTIST WHO BROUGHT THE UPPER OCTAVES INTO PROMINENT USE AND GAVE THE “HANK WILLIAMS” BACKUP IT’S ENDURING RECOGNITION. SO UNIQUELY ORIGINAL THAT HE REMAINS UNDUPLICATED. CREATED “MOONEY” TAKE-OFF AND “CHICKEN PICKIN'” BEFORE SUCH STYLES HAD NAMES. HE DEVOTED A LIFETIME TO THE ADVANCEMENT OF THE HAWAIIAN GUITAR AND TO THE ENRICHMENT OF ITS PLAYERS.ĬOMPOSER, RECORDING SIDEMAN, ROAD MUSICIAN, AND TUNING INNOVATOR (HIGH G SHARP). MASTER TEACHER, MUSIC PUBLISHER, COMPOSER, PERFORMER, CREATOR OF THE ALKIRE EHARP AND PIONEER OF THE 10-STRING STEEL AND GUITAR OF AMPLIFICATION. THE MASTER OF PURITY, TASTE, AND EXPRESSION OF HIS DAY. BAND LEADER, COMPOSER, AND PROFOUND INSPIRATION TO SCORES OF STEEL GUITARISTS WHO FOLLOWED. MOTION PICTURE SOUNDTRACK AND RECORDING ARTIST FROM THE 1930’s TO 1950. COUNTRY SOUL.” A ROBUST AND EARTHY ROAD PERFORMER WHO HAS INFLUENCED HUNDREDS OF ASPIRING PLAYERS FOR OVER THREE DECADES. RECORDING ARTIST, COMPOSER, AND TRUE HONKY-TONK BACKUP MUSICIAN WHO ACHIEVED SUCH EXPRESSION ON THE E9th TUNING AS TO BE KNOWN AS “MR. CREATOR OF ENDURING LICKS, RIFFS AND UNIQUE JAZZ IMPROVISATIONS, COMPOSER, AND FOR A QUARTER CENTURY, “THE WORLD’S FOREMOST STEEL GUITARIST.” MAJOR STYLIST, TUNING INNOVATOR AND ORIGINATOR.
RAG PLAYER LOMAS FULL
HE ACHIEVED SMOOTH, COMPLEX, AND FULL CHORD EXPRESSION. POP AND WESTERN SWING BAND RECORDING ARTIST WHO STYLIZED THE “MELLOW TONE” USING MULTIPLE, NON-PEDAL TUNINGS FOR HIS PATENTED “NECK-HOPPING” TECHNIQUE. HE PIONEERED THE “CRASH-BAR” TECHNIQUE, COMPOSED INSTRUMENTALS THAT BECAME CLASSICS TO THE INSTRUMENT’S PLAYERS, AND IS “STEEL’S FOREMOST SHOWMAN.” UNIQUELY IDENTIFIABLE STYLIST WHO SO COMBINED CHORDAL EXECUTIONS AND SINGLE-STRING RIFFS THAT PUBLIC RECOGNITION OF THE STEEL GUITAR AND HIS NAME WERE ACHIEVED. INTRODUCED JAZZ IMPROVISATION TO WESTERN SWING, DEVELOPED SINGLE STRING RIFFS INTO AN ART FORM, AND STYLIZED THE SKILL OF CHORD EXPRESSION. “MUSIC EVANGELIST FOR HIS LORD”, AND “HAWAIIAN MUSIC’S GREATEST STEEL GUITARIST” TUNING AND STYLE INNOVATOR, COMPOSER, RECORDING ARTIST. RECORDING ARTIST, AND COMPOSER OF THE CLASSIC “REMINGTON RIDE” SWING STEEL PIONEER, MAJOR STYLIST, BLENDER OF THE HAWAIIAN SOUND WITH WESTERN MUSIC. WESTERN SWING PIONEER BAND LEADER, COMPOSER OF THE MOST FAMOUSīIG BAND PIONEER. MAJOR INFLUENTIAL STYLIST, COMPOSER AND ARRANGER The Steel Guitar Hall Of Fame, its plaques and historic artifacts are in storage and we are working on getting a permanent location. The Denver Steel Guitar Show was held at Lannie’s Cabaret (16th and Arapahoe – Denver, Colorado)įuture inductions and their presentation locations will be posted on our web site and the Steel Guitar Forum as well as other social medias. This ceremony and the entire Denver show was broadcast live on. The HOF’s newest inductees, Del Mullen and Neil Flanz, were inducted during the Denver show on June 12th 2016.
Since the cancelling of Scotty’s International Steel Guitar Convention 2016, the Steel Guitar Hall Of Fame has to adapt. The International Steel Guitar Hall of Fame
0 kommentar(er)
